You Say You Want a Resolution

December 31, 2021January 4, 2022 ~ Pulitzer Guy ~ 1 Comment

One of my all-time favorite blog posts is this one by Tim Urban which discusses the passage of time, and in doing so, puts into clear focus the finite aspect of our lives. In particular, he lays out a lifespan not in the usual units of measurement such as minutes or hours or months or years, but instead by activities. For example, a presidential election only happens every four years. Assuming I live to be 90, therefore, I’m only going to punch the presidential ballot about another 10 times. Yikes.

That example, by the way, was intentional. The four-year cycle of presidential elections (or World Cups or Olympic Games) is apropos here at Pulitzer Schmulitzer because it has been just over four years since my last blog post. Another yikes. There are lots of reasons for this unintentional break, but suffice it to say that unlike presidential elections, the frequency of my writing is entirely in my control. And knowing that, I came to the patently obvious conclusion that I’m not going to finish this countdown unless I significantly pick up the pace here.

Why am I thinking about this now? Well, part of it is simply that fact that this is the time of year where “best of” lists abound as we look back on another loop about the sun. (Another part of it is that I had a COVID exposure so am self-isolating on New Year’s Eve and have some time on my hands.) On an individual level, it’s hard not to use this time to take stock of our accomplishments and failures and grade our past twelve months. More importantly, however, the end of the year also gives us an opportunity to think about the year ahead who we’d like to be. Granted, in reality New Year’s Day will just be like any other Saturday in our lives. But it feels different. It feels like we have a chance to close a chapter and start again with a blank slate. And not surprisingly, therefore, it is also time for New Year’s resolutions.

Historically, I’ve never been a huge proponent of either forming or following through on New Year’s resolutions. Part of this is certainly my fault, but most of the time my resolutions were either too vague, too small, too big, too numerous, or really, too stupid. As a result, I often forgot about them or ignored them or simply failed at them after a week or two.

At the start of 2021, however, I adopted an idea that my friend Gillian wrote about a few years back: instead of doing yearlong resolutions, set 12 one month resolutions. This structure helps in a couple of ways. First, you’re more likely to succeed (and success comes much quicker), with this shortened timeframe. Second, if you don’t succeed on any particular goal, you year isn’t shot; you simply start again the following month. So on this, the last day of 2021, here is my look back at my previous twelve months. With grades.

DRY JANUARY

Grade: B

Giving up alcohol in January certainly isn’t a novel idea, but honestly probably was (and probably still is) the most important one for me. The more I read about alcohol, the more I’m convinced that drinking is one of the worst things you can do to your body. The flip side, of course, is that drinking is super fun. (Or, as Kid Cudi put it, “All the crazy shit I did last night / Those will be the best memories”).

But at the start of 2021 we were a year into the pandemic, and if there is one thing I’ve learned from COVID is that pandemics are hard and a break from booze was sorely needed. I wasn’t perfect; I actually started on January 4^th and had two other events that month where I drank, but 5 drinking days out of 31 was my best in a while. A long while.

WRITING FEBRUARY

Grade: F

February was supposed to be the month I kickstarted my writing. Specifically, I wanted to post two Pulitzer Schmultizer blog posts. It was a total fail. That said, the fact that I did set that goal gnawed at me periodically through the year, and may, in fact be another reason why I’m aiming to publish this piece in 2021. (Spoiler alert: I made it.)

READING MARCH

Grade: C

Given that I’m an avid reader, you would think the fact that I spend so much more time at home without a commute would have led to a significant increase in my reading time. You would be wrong. Turns out that the commute itself provides some built in reading time. Removing that time from my schedule also removed a fairly ingrained habit, and I didn’t find a suitable replacement.

So in March 2021, my goal was to read for an hour a day. I gave myself a C, but I consider this one a success; I was just over-zealous on my ambition. An hour a day is simply too much (or is simply too much for me), and I realized this fairly early on. What I also realized, however, was that a half-hour was doable, revised my goal accordingly, and was very successful reading that amount. So maybe a C with an asterisk.

VEGETARIAN APRIL

Grade: A

I love meat. But, like alcohol, the more I read about meat, and in particular the meat industry, the more I’m coming to believe that we’d all be better off as vegetarians. While this has been a slow realization for sure, over the years, I have cut out some specific things from my diet. I haven’t eaten veal in forever, for example. More recently, I decided that I won’t eat any of the top 10 smartest animals. Granted, most of these are fairly easy to avoid, but giving up octopus and, to a much greater extent, pork, has been a sacrifice. As noted above, I love meat and pork is very, very tasty.

Despite my love of meat, however, this one turned out to be relatively easy. My only slip up was a booze-fueled, unintentionally enthusiastic inhaling of a Kentucky Fried Chicken drumstick. (For Pulitzer Schmulitzer fans, you are aware of my weakness for KFC.) I will definitely do this one again.

OUTDOOR MAY

Grade: D

If you asked me at the start of the year which monthly resolution I thought would be the easiest to accomplish, I might have said this one. My goal for the month was simple: do two camping trips and take two hikes. What did I actually do? One hike and one night in a glamping tent at Safari West where I stayed up all night listening to two mating geese. I aspire to improve on this one in 2022.

BEACH BODY JUNE

Grade: A-

The goal for June was straightforward: do at least 30 minutes of exercise every single day. I already exercise a lot so this one wasn’t a huge stretch, but like with my reading, the COVID disruption to my schedule had somewhat surprisingly resulted in me being a little less disciplined with my work out routine. I missed maybe 1 or 2 days during June, but otherwise met this goal and, more importantly, re-established a much healthier routine.

LEARN SOMETHING NEW JULY

Grade: C

In hindsight, this goal – to “learn something new” – was frankly too vague. I did absolutely learn some new things. For example – and this is a little embarrassing – I actually barbecued for the first time in July. I’m not kidding. Not only that, but the grill had seen such little use that it wouldn’t light so I had to learn how to replace the igniter. But that wasn’t really what I had in mind at the start of 2021. In my head my goal for July was something more lofty like to take a course. As such, I gave myself a C with the real lesson here to be more specific with my objectives.

DELETE THE APPS AUGUST

Grade: A

If my reading time decreased during the pandemic, my time on social media increased in equal measure. As such, August’s goal was to delete Facebook, Instagram, Snap and TikTok from my phone. To be clear, I didn’t delete my accounts. But simply by removing them from my phone – especially from the home screen – it required me to be much more thoughtful and intentional about accessing them because it also required me to log in on desktop or through mobile web. This little bit of added friction, believe it or not, totally worked to decrease aimless scrolling and even more importantly the habit of opening them up at any moment of downtime. I loved this one and have never added any of the above back to my home screen.

DO SOME GOOD SEPTEMBER

Grade: F

September was supposed to be the month where I did a volunteer activity every Saturday. Again, like Outdoor May, I went into 2021 assuming that this would be a layup and again failed miserably. Didn’t do one thing. Yes, work was really busy this month, and yes, one Saturday I was actually at my first post-COVID wedding, but I believe I could have done more to make this happen. Of all of my 2021 resolutions, I may be most disappointed by this one.

ARTS OCTOBER

Grade: B+

At the start of 2021, vaccines were just around the corner and I assumed that by October life would be for the most part back to normal. As such, my goal for the month was to experience some of the things that I’ve missed the most these past few years and see one concert, one play, one museum exhibit and one art event of my choice. I was close. I went to two days of Outside Lands (I’m counting that as the concert and the event of my choice), and went to see an Orchestra performance of Anime hits on November 10^th (nothing this elaborate mind you but this was one of the “hits”) and the Art of Banksy exhibit on November 24^th. So technically I didn’t see the play and didn’t do it all in October, but technically COVID didn’t cooperate either because of the Delta variant so screw it, I’m giving myself a B+.

GIVE THANKS FOR YOUR STUFF NOVEMBER

Grade: A-

Similar to booze, the meat industry, and mindless social media consumption, I often struggle with how much stuff I consume. Because November is the time to give thanks, this month’s goal was simply to not buy anything new (food items excluded). Like Vegetarian April and Delete the Apps August, this one turned out to be relatively easy. I had to buy one tie and one dress shirt to wear for a business trip to New York, but other than those purchases I was the non-conspicuous consumer.

REACH OUT DECEMBER

Grade: B-

Last but certainly not least was one of my favorite goals of 2021: make a point to reach out to people that I adore but that I don’t get to see. My original thought was to do one reach out per day, so 31 in total. Ultimately, the reach outs were much more lumpy and I probably ended with about 20 so I’m giving myself a B-. Nonetheless, when I did do it the responses brought me a lot of joy. Makes you wonder why we don’t prioritize this more often. (Also, if you just read this paragraph and are mad that you weren’t one of the 20, don’t be. The other thing that this resolution taught me was that there are so many people that fall into this category. I’ll hit you up in 2022.)

So we’ve reached the end of this post and of 2021. I’ll get this posted right under the wire, and promise that this weekend I will work on my list for 2022. Some of these I will keep forever (Dry January is definitely needed), some I will keep because I failed at them last year (Writing February, Outdoor May and Do Good October), some I will improve on (Learn Something New July), and some I will drop because I don’t need them (Delete the Apps August). But most importantly, I resolve to pay more attention to Pulitzer Schmultizer and make some progress on my countdown. I hope you all keep me accountable.

In the meantime, I’m going to leave you with words from two people much more articulate and wise than I am. Both are about life and understanding that it is very finite. The first piece is from a commencement address the author Joan Didion – who just passed away last week – gave in 1975 at UC Riverside:

“I’m not telling you to make the world better, because I don’t think that progress is necessarily part of the package. I’m just telling you to live in it. Not just to endure it, not just to suffer it, not just to pass through it, but to live in it. To look at it. To try to get the picture. To live recklessly. To take chances. To make your own work and take pride in it. To seize the moment. And if you ask me why you should bother to do that, I could tell you that the grave’s a fine and private place, but none I think do there embrace. Nor do they sing there, or write, or argue, or see the tidal bore on the Amazon, or touch their children. And that’s what there is to do and get it while you can and good luck at it.”

And the second is a poem called The Laughing Heart by Charles Bukowski:

your life is your life
don’t let it be clubbed into dank submission.
be on the watch.
there are ways out.
there is light somewhere.
it may not be much light but
it beats the darkness.
be on the watch.
the gods will offer you chances.
know them.
take them.
you can’t beat death but
you can beat death in life, sometimes.
and the more often you learn to do it,
the more light there will be.
your life is your life.
know it while you have it.
you are marvelous
the gods wait to delight
in you.

(I love this poem and the only way it would be better would be to watch Tom Waits read it.)

So I made it. It is 11:13 on New Year’s Eve. Wishing you all the best in 2022.

#51 Beloved by Toni Morrison (1988): As Yoda Would Say, Love or Hate. There is No Like. Hmm. (alternate title: I Did Not Love It. Controversy?)

June 5, 2016February 15, 2017 ~ Pulitzer Guy ~ 5 Comments

[Editor’s Note: Pulitzer Schmulitzer! is where we count down our favorite Pulitzer Prize winning novels for fiction according to the unpredictable and arbitrary whims of yours truly. To learn how Pulitzer Schmulitzer! started and read about the methodology or complete lack thereof behind the rankings, look no further than right here. If you want to see what we’ve covered so far, here you go. Now, on to the countdown.]

There was a busy and sad news week in April – led by the death of Prince – where you might have missed the fact that the US Treasury Department decided your wallet has too much testosterone so they’re booting Andrew Jackson off the $20 bill and replacing him with Harriet Tubman. If your third grade history class is a little fuzzy, Tubman was one of the most important figures in the movement to end slavery. Now, not only is she the first woman to appear on US currency in more than a century, but she is also the first African-American ever to appear. And Andrew Jackson, the man she is replacing, owned slaves. Karma’s a bitch.

What you might have also missed if you were endlessly looping every Prince album from 1980’s Dirty Mind through 1987’s Sign o’ the Times (which, if you haven’t done, then you should right now), was that the original plan wasn’t to replace Jackson, but rather to replace Alexander Hamilton on the $10 bill. That’s not happening anymore because, well, Hamilton. Controversy? Not really.

If you don’t know what I’m talking about, Hamilton is the Lin-Manuel Miranda written Broadway phenomenon; an unlikely sounding hip-hop musical about Alexander Hamilton, one of the lesser-known founding fathers of America. The numbers are staggering. After a successful off-Broadway run, it took in over $60 million before it opened on Broadway in August 2015; it’s sold out through January 2017; the album, which reached number three in the rap charts, is the highest selling cast recording for 50 years; tickets for even Monday evening shows can fetch up to $2000 for the best seats; and it just collected a record-breaking 16 Tony Award nominations.

But Hamilton is more than just numbers. It has been called historic and game-changing and, honestly, everyone seems to agree. Hollywood stars, hip-hop royalty and politicians of every persuasion have turned out in droves to see it. President Obama took his daughters, Bill Clinton has seen it, as has Julia Roberts, Susan Sarandon and Madonna (though she, according to cast members, spent most of her time glued to her phone). Jay-Z and Beyoncé posed with the cast after the show. One night JJ Abrams, the director of Star Wars: The Force Awakens, came and asked Manuel to write music for a scene in the film.

But its not just famous people that love Hamilton. Little kids love Hamilton and make cute little kid YouTube videos. Finicky critics love Hamilton. Ben Brantley, the New York Times critic, wrote, “I am loath to tell people to mortgage their houses and lease their children to acquire tickets to a hit musical. But Hamilton… might just be about worth it.” And even more finicky (finickier?) and sometimes hard to please teens love the show. How do I know? Because I’ve got one.

My daughter Lily started listening to the Hamilton soundtrack right before Christmas. I’m not entirely sure what the impetus was to make her queue it up on Spotify, but I am sure that once she started listening to it she couldn’t stop. Within a fairly short period of time, she knew every word to every song. She knew every cast member, including ensemble cast members and backups. She even enlisted her little sister to accompany her in a cute little video.

Which brings me to Beloved from Toni Morrison, the 1988 Pulitzer Prize winner and probably the most controversial novel on the countdown. Just as Frank Bascombe from Independence Day was the anti-Lemmy Kilmister, Beloved is the anti-Hamilton. People love or hate this book in equal numbers.

Set in Ohio in 1873 after the end of the Civil War, Beloved tells a lot of stories with a lot of voices, but the central one belongs to Sethe who is living in a farmhouse with her youngest daughter Denver, and her mother-in-law Baby Suggs. There is almost no way to explain this book without giving away the plot (ergo, SPOILER ALERT), but their house is also home to a sad but very angry ghost, who everyone believes is the spirit of Sethe’s baby daughter, who, at the age of 2, had her throat cut under appalling circumstances. We never know this child’s full name, but we – and Sethe – think of her as Beloved, because that is what is on her tombstone. Sethe wanted ”Dearly Beloved,” from the funeral service, but had only enough strength to pay for one word. Payment was 10 minutes of sex with the tombstone engraver.

Not surprisingly, a haunted house doesn’t make for the greatest home environment. Sethe’s two young sons have run away from home by the age of 13, and Denver, the only child remaining, is shy, friendless, and housebound. To add insult to injury, not long into the book and with the ghost in full possession of the house, Baby Suggs dies in her bed. Insert sad emoji.

But characters – and stories – such as these don’t exist without some significant trauma in their past, and Sethe’s past comes front and center when Paul D – one of the slaves from Sweet Home, the Kentucky plantation where Baby Suggs, Sethe, Halle (Sethe’s ex), and several other slaves once worked – arrives at their home. They fled Sweet Home 18 years before the novel opens, and when we begin the flashbacks, we see why. If there is such a thing as a good slave owner, then Mr. Garner, the original owner of Sweet Home, might qualify. He treated the slaves well, allowed them some say in running the plantation, and called them ”men” in defiance of the neighbors, who want all male blacks to be called ”boys.” But when he dies, his wife brings in her handiest male relative, who is known as ”the schoolteacher,” and, as is often the case with people whose nickname is “the schoolteacher,” he is a total asshole.

Throw in the schoolteacher’s two sadistic and repulsive nephews, and from there it’s all downhill at Sweet Home as the slaves try to escape, go crazy or are murdered. Sethe, in a trek that makes the Snake’s journey in Escape from New York look like a stroll around the block, gets out, just barely; her husband, Halle, doesn’t. Paul D. does, but has some very unpleasant adventures along the way, including a literally nauseating sojourn in a 19th-century Georgia chain gang.

So Paul D. and a shit ton of baggage arrive at Sethe’s home, and surprisingly, he appears to make things a little better. He forces out the ghost, and even gets Denver out of the house for the first time in years. But never forget, this is a Pulitzer winner which means that, chances are, this isn’t a story where things are going to work out for everyone in the end. And sure enough, on the way back home with Denver, they come across a young woman sitting in front of the house, calling herself, of all things, Beloved. Paul D is suspicious (duh) and warns Sethe, but she is charmed by the young woman and ignores him.

Not surprisingly, inviting a random 20 year-old who shows up out of nowhere calling herself the same name as your baby daughter who died tragically turns out to be a poor decision. Beloved gets in everyone’s head and sooner or later has sex with Paul D in a shed. He feels horrible and is racked with guilt, but when he tries to tell Sethe about it he instead tells her that he wants her pregnant. Lesson: just no.

Albeit, Sethe is initially elated so, to be fair, Paul D’s ad lib does put the breakup playlist on hold for a few. But when Paul D tells his friends at work about his plan to start a new family, they tell him the real story of how Sethe’s two year old died. I’ve given away too much already (and honestly would rather not discuss it), but suffice it to say that the news is too much for Paul D and he leaves. Without him around, Beloved consumes more and more of Sethe’s life until it reaches the point where it is clear that both cannot survive.

As I mentioned at the outset, people’s opinions on this novel vary widely. But regardless of where you think this book should sit in our literary countdown, there is little disputing that both the story and the writing are somewhat painful to get through, although I have a much harder time with the latter than the former.

Stories about slavery, especially good stories, are hard to read. On purpose. It was a brutal and lamentable part of our nation’s history, when very specific (and horrific) things happened to actual human beings. And being a book about that period, Beloved describes all of the beatings, whippings, rapes, killings, all of the families torn apart, individuals humiliated and lives wasted. As it should. And that may make the novel hard to read for some, but that isn’t a valid critique of the book.

For me, what made this book difficult to read wasn’t the story, it was the presentation. I’ll give you one example:

“In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don’t love your eyes; they’d just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face ’cause they don’t love that either. You got to love it, you! And no, they ain’t in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don’t love your mouth. You got to love it. This is flesh I’m talking about here. Flesh that needs to be loved.”

Look, Toni Morrison is a much much much (I could go on for a while) more talented writer than I am, so I’m sure many people will completely disagree with me, but I find passages like the above hard to read. And not in a good way. It is a little over the top. A little Faulkner-esqe (and we see where that got him on the countdown). A little too, well, much. As I read this book, I kept feeling that she was trying too hard to impress and that the story therefore suffered a teeny bit because of it (IMHO).

But regardless of the prose, I admire Beloved for what it aims to achieve: to make us remember a terrible part of American history. And by remember, I don’t mean in a generic “there was slavery in the United States” way, but instead that there were very specific (and horrific) things that happened to actual people. With many wide scale events such as war, racism, or the holocaust, it is easy to get lost in the numbers, to forget that individual people were affected or perished. Beloved personalizes slavery, which makes it easier for people-in-general to identify with the subject. It elevates a terrible part of history beyond mere statistics.

And maybe that’s where Beloved and Hamilton share a common bond. We all learn about the War for Independence in school but in our heart of hearts, we don’t care. We aren’t really moved by it. Hamilton changes that because it shows us a period in history through the story of a single, albeit sometimes unsympathetic, man. Just as we really feel the horrors of slavery because of how we see it affected Sethe, we understand the sacrifices people made when establishing this country.

But, and this is a big but, delivery matters. Beloved will never be universally beloved because Morrison loses the reader (or at least some readers) with her challenging writing. There are no little kids making videos recreating scenes from Beloved. Miranda, in contrast, engages a whole new generation of people with his never-before-heard all-rap Broadway musical. Its accessibility enables the story. Hence that’s why Alexander Hamilton will remain on the ten-dollar bill while slave owner Andrew Jackson gets the boot.

Oddly enough, the very same week that equally universally beloved Prince died, I found myself at the Richard Rogers Theater in New York with Lily watching Lin-Manuel Miranda do his stuff. To tell the truth, I was a little concerned that there was no way the play could live up to the hype. I shouldn’t have been. I loved it. No controversy there.

Lily and Daveed — Lily’s selfie with Lafayette/Jefferson actor Daveed Diggs after the show.